Nigerian content creator and actor has ignited a heated discussion on social media after challenging the frequent comparisons between Nollywood star Funke Akindele and Hollywood actress Taraji P. Henson.
In a viral post on X, he voiced his frustration over the ongoing trend of likening Akindele to her American counterpart, questioning why African talents are often measured against Western figures rather than being acknowledged for their distinct accomplishments.
Expressing his stance, he stated, “I really don’t like seeing comments calling Aunty Funke the ‘Nigerian version of Taraji P. Henson.’” While acknowledging his admiration for Taraji, he emphasized that Funke Akindele has carved her own path and should not be defined in relation to a Hollywood figure. “Funke Akindele is The Funke Akindele—an unstoppable box office record breaker. She’s not a version of anyone but herself,” he asserted, underlining the actress’s unparalleled impact in Nollywood.
His post quickly sparked conversations about the broader issue of how African entertainers are often compared to Western stars, rather than being recognized on their own terms.
Many users weighed in on the discussion, with some arguing that such comparisons stem from superficial similarities rather than an intentional attempt to diminish local talent. One user responded, “I think it’s cuz they look alike. They’re not on the same path so it wouldn’t make sense.”
However, Enioluwa pushed back against this notion, pointing out the deeper implications of the trend. He argued that comparisons like these reinforce a mindset where African creatives are subconsciously seen as secondary to their Western counterparts.
“Fair, but there’s a deeper layer to it—where we often view our own as lesser, especially in the entertainment space. No one ever calls Taraji the American version of Funke Akindele,” he noted, challenging the way global perspectives shape the recognition of African talent.
His remarks have reignited debates on cultural appreciation and the need to celebrate African artists without placing them in the shadow of international figures. While many agreed with his sentiment, others believe such comparisons are sometimes made in good faith.
Nonetheless, the conversation highlights the ongoing efforts to redefine how African creatives are perceived, ensuring that their success stands independently without the need for Western validation.
