Nollywood actress and filmmaker Bimbo Ademoye has received public assurances from two top officials in Ghana — Sam George, Minister of Communication, Digital Technology, and Innovation, and Kafui Danku, Chief Executive Officer of the National Film Authority (NFA) — following her complaints about copyright violations involving her films being aired without permission on Ghanaian television.
The actress had initially taken to Instagram weeks ago, expressing her frustration over the unauthorized use of her creative work.
Her post sparked a conversation across social media, bringing attention to a growing concern among content creators about the protection of intellectual property in West Africa.
In a more direct follow-up on April 22, 2025, Ademoye amplified her concerns, this time tagging both Kafui Danku and Sam George to urge their intervention.
She wrote, “@kafuidanku ma’am I hear you’re one of the people that can put a stop to this,” signaling her hope that action would be taken swiftly. Her bold move caught the attention of the two officials, prompting them to respond directly in the comment section of her post.
The situation has since sparked conversations about cross-border collaboration and the urgent need to strengthen copyright enforcement mechanisms across the region.
Sam George, in his response, acknowledged the seriousness of the issue and offered a diplomatic yet firm assurance. “My attention has been drawn to your post thanks to the tag,” he began. “I would be raising the issue with my colleague minister responsible for overseeing television content. I, however, wish to assure you that our government is very respectful of intellectual property rights and would ensure the protection of same.”
He went on to express optimism about the ties between Ghana and Nigeria, stating, “I believe Ghana and Nigeria have so much we can continue to collaborate on for our mutual benefit.”
His comments not only reassured Ademoye but also signaled the Ghanaian government’s commitment to safeguarding the creative industry.
Echoing a similar tone, Kafui Danku responded with empathy and proactive intent. She acknowledged the actress’s frustrations and assured her of ongoing efforts to stop the unauthorized broadcasts. “Hi ma’am, my management and I are working on putting a stop to this,” she wrote. “You should see definite actions in a couple of weeks.”
Danku’s response suggests that concrete steps are already underway, potentially involving legal recourse, policy reinforcement, or increased monitoring of local broadcasters.
Her statement underscored the need for film regulatory bodies to act as guardians of creators’ rights in an era of rapid digital distribution.
Meanwhile, Ademoye’s latest film, Broken Hallelujah, continues to garner attention and praise on social media, further highlighting her rising influence and the importance of protecting her work.
The incident has sparked broader discourse about the protection of African creatives in neighboring countries, and how digital technology can both empower and endanger their intellectual property.
With high-profile officials now involved and promising real action, creators like Ademoye — and the millions who follow her — are watching closely to see if this marks a turning point for copyright enforcement in the region.
